[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.

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Valérie and Pitou, two ten year old kids, want to leave their parents and run away, because they give them little love.

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Eugène Goupi returns to the village where he was born, where his parents want to marry him to a cousin. His uncle, Mains Rouges, gives him a somewhat chilly welcome. His return coincides with the theft of a large sum of money and the assault of his great-grandfather.

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A young woman's boyfriend just died of a heart attack. Her neighbor upstairs, another woman, persists in making disturbing, loud noises every night, making her life a nightmare. This condominium begins a series of strange events that are going to pick the attention of a retired Interpol agent. The three women are just beginning to get into a game of death.